How Cliffhanger Brought Stallone Back from the Comedy Brink
Renny Harlinâs âCliffhangerâ (1993) is bookended by a scene in which its stars are perched atop a summit so high, they mustâve been lowered from a helicopter to make the shot.
Before the days of Tom Cruise putting himself in entertainingly dangerous positions for our entertainment, hereâs Sylvester Stallone and Michael Rooker clearly placed on surfaces miles above the ground.

We meet Gabe (Stallone), a veteran mountain climber who is rescuing his friend and colleague Hal (Rooker) stranded high above the Colorado Rockies. Hal is waiting for Gabe on a peak with his girlfriend, Sarah, played by Michelle Joyner, whoâs excellent for only a few minutes of screen time.
Why wasnât this a breakout role for her?
A simple rescue goes horribly. A year later, Gabe and Hal arenât speaking, Gabe hasnât been on a mountain and a plane full of professional criminals crash lands into the Rockies. Led by the sadistic Qualen (John Lithgow), the armed thieves aim to find three missing suitcases that are stuffed with $100 million, which was roughly the budget of this movie.
Joining Stallone on the ledge is Janine Turner, terrific on âNorthern Exposure,â but suffering the same Teri Hatcher/ Dana Delaney limbo of finding success on television but not in movies. Admittedly, Stallone and Turner, who are supposed to be playing an estranged couple, lack any chemistry.
The dizzying cinematography, superbly timed editing and clever sound effects place the audience in vertigo-inducing spaces. Coming post-âK2â (the forgotten 1992 adaptation of the spellbinding stage play) but long before âCliffhangerâ wannabe âVertical Limitâ (2000), the knockout opening scene still stuns for its unbearable intensity and cruel conclusion.

If âCliffhangerâ resembles any film from the â90s, itâs the forthcoming âTwisterâ (1996), which is also dopey with dialogue and characters but phenomenal when itâs on its feet and sprinting.
Thereâs an in-air money transfer that, truly, seems pointless but results in some amazing stunt work and a delightfully implausible action sequence to rival anything in a âFast and Furiousâ sequel. What follows is a great plane crash, in a year full of similarly outstanding, scary sequences in âFearlessâ and âAlive.â
Speaking of implausible, weâre supposed to believe that, at one point, Gabe can bench press a villain into a spike over his head but is unable to simply pull a damsel in distress to safety in the opening?
RELATED: HOW THE BADDIE STOLE âNIGHTHAWKSâ FROM STALLONE
This was Stalloneâs post-comedy comeback, as the mild success of âOscarâ (1991) and the embarrassment of âStop! Or My Mom Will Shootâ (1992) was enough to remind the stars and his fans that the road to âRhinestoneâ is paved with good intentions but horrendous reviews and meager box office.
Hitching his return to form on the popcorn movie maestro Harlin made for a shrewd pairing.
The screenplay is notably âBased on a Premise by John Longâ and, for all the spectacle, lacks depth, though Iâm unsure if the aim here is to do anything beyond entertaining the masses.

Harlinâs film could certainly be tighter (thereâs far too many reaction shots) and thereâs also two snowboarder characters whose premise can only be explained by the success of âWayneâs Worldâ (1992) signaling Stallone that heâd need a young demographic to maximize his return to glory.
The dialogue is often unintentionally funny, mostly B-movie dialogue (âA lot of things fell apart on that ledge!â). A hall of fame howler comes in the form of Stalloneâs protesting, âLook Jessie, I havenât climbed in months! You just lose the feel!â
We never learn what Cabe has been doing in Colorado for all those months (my guess: a professional cliff diver at Casa Bonitaâs). Hereâs a bit of dialogue I wish were in this movie: On the ground, heâs just Gabe, but up hereâŠheâs The Cliffhanger.
No such luck.
A sequel to âCLIFFHANGERâ is in the works with Sylvester Stallone set to reprise his role.
(Source: Deadline) pic.twitter.com/iN3F0vb4x1
â DiscussingFilm (@DiscussingFilm) May 1, 2023
A typical Hollywood touch is how the story piles on a massive body count but, following a scene of peril, clearly shows us that a rabbit did, indeed, escape a torrent of machine gun bullets.
It becomes increasingly funny how these characters mountain climb all, casually meeting each other on summits that, under normal circumstances, would have others calling Guinness Book of World Records.
Stallone recognized that this vehicle would elevate him back on top (of the cliff and of the movie star list), and heâs in good form. Lithgowâs performance as Qualen is constantly better than the material. Paul Winfield is on hand to do the walking and talking exposition scenes.
Like most of Harlinâs films from this era, âCliffhangerâ is gruesomely violent and unnecessarily so â as in his entertaining, pulpy âDie Hard 2â and âThe Adventures of Ford Fairlaneâ (both 1990), Harlinâs bloodletting and pummeling muffles our feeling for the characters.

During one especially gratuitous scene, Rooker lets out a spittle of blood all over the snow. That said, Harlinâs best film is still the ultraviolent, hilarious and impossibly exciting neo-noir âThe Long Kiss Goodnightâ (1996).
If this is what ââDie Hardâ on a mountainâ looks like (and I suspect Harlin pitched it that way when offered the job), then it likely will still never be topped.
Hold on, indeed.
The post How âCliffhangerâ Brought Stallone Back from the Comedy Brink first appeared on Hollywood in Toto.
The post How âCliffhangerâ Brought Stallone Back from the Comedy Brink appeared first on Hollywood in Toto.
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